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I produce cartoons and media networks.

[adult swim] UPFRONT Wednesday, May 16, 2012 9p  Roseland Ballroom 239 West 52nd Street (between Broadway & 8th Ave.) [NYC] PERFORMANCE BY T.I. Immediately after the Adult Swim Upfront  Invitation is non-transferable. Photo ID required at check-in. 21+ only.

May 16, 2012

[adult swim] UPFRONT Wednesday, May 16, 2012 9p 
Roseland Ballroom 239 West 52nd Street (between Broadway & 8th Ave.) [NYC]
PERFORMANCE BY T.I. Immediately after the Adult Swim Upfront 
Invitation is non-transferable. Photo ID required at check-in. 21+ only.

[adult swim] UPFRONT 
Wednesday, May 16, 2012 9p 

Roseland Ballroom 
239 West 52nd Street (between Broadway & 8th Ave.) [NYC]

PERFORMANCE BY T.I. Immediately after the Adult Swim Upfront 

Invitation is non-transferable. Photo ID required at check-in. 21+ only.

Adventure Time: Fan Art: An Explosion of Creativity celebrates the die-hardest Adventure Time fans in the best way possible as part of the PBS Off Book documentary series. Kornhaber Brown’s producer/director Eric Brown was nice enough to ask me (thanks to fellow interviewee Brad O’Farrell) into his film on the fan art phenomenon, and he’s obviously likes everything you’ve all done with AT, so we (you) get a lot of attention in the piece. It’s a hoot, enjoy. -Fred

May 3, 2012

Adventure Time:

Fan Art: An Explosion of Creativity celebrates the die-hardest Adventure Time fans in the best way possible as part of the PBS Off Book documentary series. Kornhaber Brown’s producer/director Eric Brown was nice enough to ask me (thanks to fellow interviewee Brad O’Farrell) into his film on the fan art phenomenon, and he’s obviously likes everything you’ve all done with AT, so we (you) get a lot of attention in the piece. It’s a hoot, enjoy.

-Fred

Buzz Potamkin, R.I.P.

May 3, 2012

Photo via Jerry Beck
Buzz Potamkin

I was heartbroken to hear that Buzz Potamkin, one of my earliest animation and production mentors, died of pancreatic cancer on April 22. My thoughts are with his widow Rosie. 

Details on Buzz’s animation career are at Cartoon Brew and Animation Magazine, but I thought I’d share a few of my great experiences. It’s fair to say that I wouldn’t have the animation career I have today without his tutoring, support and depth of knowledge and wisdom.

“One Small Step” from fredseibert on Vimeo.

Buzz and I met in late 1980 through my once-in-a-lifetime media guide Dale Pon. At that time, my creative partner Alan Goodman and I were trying to figure out how we should present the look and feel of a not-yet-named cable music channel. Dale had already intro’d us to Colossal Pictures in San Francisco, soon to be one of our early animation partners, but when he mentioned Buzz’s company Perpetual Motion (soon he spun off as Buzzco) we remembered them as one of the few animation reels that had made a quality impression out of the hundreds we’d reviewed. Buzz quickly won our trust and, in his inimitable way, guided two neophytes through a grueling 24 hour editing session on his studio’s execution (directed by Candy Kugel and produced by David Sameth) of my one and only creative idea for the MTV launch, where a 1969 Buzz Aldrin is facing, not an American flag, but the MTV flag in 1981. The piece went on to be played more than 75,000 times and became an icon that helped define our careers ever after. Buzzco went on to make a number of animated MTV IDs for us, and that was even before Dale conceived the I Want My MTV! advertising campaign for Alan and me a couple of years later. Buzz produced them all with director Tommy Schlamme, and then the peak of the campaign with Candy again.

I Want My MTV!  Produced by Buzz Potamkin 1982-1983 from fredseibert on Vimeo.

It was during those days that Buzz and I first started talking cartoons. He shared stories with me about the characters who ran the business and his point of view about what made the business work and what made it flop. He gave me lessons in the small and the large in everything from production to real estate management, and why the animation business was stalling; we continually improvised what we thought could happen if things were looked at a little differently. We talked creative, media, philosophy, art, politics, you name it. We eventually realized we had even more to talk about and we kept doing it for 15 years. 

Alan and I formed a partnership with Buzz for a few years after we left MTV in 1983 (it was his encouragement that gave us the courage to quit our amazing jobs when we were itching for more entrepreneurial challenge) and we even made a few shows together. But, Buzz was itching too, and he soon decamped to Hollywood to form Southern Star to make cartoon series for the broadcast networks. We kept in touch and several years later I’d improbably moved out for the cartoon biz myself to run the legendary Hanna-Barbera studio.

Bruno Bozzetto’s Help! from Hanna-Barbera’s What A Cartoon! Executive Producer: Buzz Potamkin

My first call and my first hire was Buzz Potamkin. 

Buzz was instrumental in helping figure out how to launch the first of our shorts incubators, What A Cartoon! in 1994. He’d given me plenty of insight about the theatrical shorts of the mid-20th century and when he came on as my head of production we plotted the program together and he cajoled a number of legendary filmmakers like Ralph Bakshi and Bruno Bozzetto to give this crazy idea some gravitas.

Buzz Potamkin was a unique soul. He was the kindest man you could imagine, always ready with help and inspiration. He admired creative people of all kinds, especially artists, and he could smell out smarts in anyone in a room. He had a curmudgeonly crust, but with a quick smile and wit, and always a twinkle in his eye. 

I owe Buzz a lot. Many people do. He’ll be missed.

In a shameless attempt to curry pageviews, our friends at Animation Magazine have started a contest to pick the best ad in their 25th Anniversary issue. And since Frederator ran an ad, I guess we’re going to have to play along and ask you to please vote for our ad. I couldn’t swear to you it’s the best one, but it’s the best one of ours.

May 1, 2012

In a shameless attempt to curry pageviews, our friends at Animation Magazine have started a contest to pick the best ad in their 25th Anniversary issue. And since Frederator ran an ad, I guess we’re going to have to play along and ask you to please vote for our ad. I couldn’t swear to you it’s the best one, but it’s the best one of ours.

In a shameless attempt to curry pageviews, our friends at Animation Magazine have started a contest to pick the best ad in their 25th Anniversary issue. And since Frederator ran an ad, I guess we’re going to have to play along and ask you to please vote for our ad. I couldn’t swear to you it’s the best one, but it’s the best one of ours.

Animation Magazine 25th anniversary Frederator ad 2012

rapuze: Screaming Wolf a la Tex Avery.

April 24, 2012

rapuze:

Screaming Wolf

a la Tex Avery.

rapuze:

Screaming Wolf

a la Tex Avery.

(via clumsycarcass)

Well, I must say, I’m thrilled there’s a Frederator connection to three out of the four cartoons in this confession, even if “she” hates one of them.

April 5, 2012

Well, I must say, I’m thrilled there’s a Frederator connection to three out of the four cartoons in this confession, even if “she” hates one of them.

Well, I must say, I’m thrilled there’s a Frederator connection to three out of the four cartoons in this confession, even if “she” hates one of them.

(Source: cartoonnetworkconfessions)

AV Club: As an animator with his own show, have you received any advice, either solicited or unsolicited, from other animators/auteurs?

March 21, 2012
  • Pendleton Ward: In the beginning, Fred Seibert of Frederator, he kept telling me that the workload is more than you can ever imagine. Like, there’s no possible way that you can prepare yourself for the amount of stress and work that you’re going to have. And I was like, “No, I can do it, I can do it. I’m sure I can figure it out.” But he just kept saying, “You have no idea what it’s going to be like.” [Laughs.] And I didn’t. I had no idea it would be so intense, especially in the beginning. It’s cooled off now that we’ve found a rhythm, but in the beginning it was so rough. I wanted to cry and vomit every day and there were a lot of sleepless nights. Is that advice? I don’t know. [Laughs.]
  • I know Eric just posted this interview over at Adventure Time Art, but since this is advice I give to every first time show runner I thought it might be worth doing as a pull quote.

Writer and animation artist Mike de Seve came by Frederator/NY last week to introduce us to some of the projects he’s developing. We’re looking forward to hearing and seeing more about them, maybe there’ll be something for Cartoon Hangover. Thanks Mike.

March 20, 2012

Writer and animation artist Mike de Seve came by Frederator/NY last week to introduce us to some of the projects he’s developing. We’re looking forward to hearing and seeing more about them, maybe there’ll be something for Cartoon Hangover. Thanks Mike.

Writer and animation artist Mike de Seve came by Frederator/NY last week to introduce us to some of the projects he’s developing. We’re looking forward to hearing and seeing more about them, maybe there’ll be something for Cartoon Hangover. Thanks Mike.

A link

March 14, 2012
In which Digits talks about animation: 'Cartoons are keeping you from growing up'

Illustration by Megan aka animationbits

animationbits:

I want to share a little story with you just on the off chance that someone may be going through the same thing right now.

I started drawing cartoons and anime around grade 8 after I met up with a friend from elementary school whose art I admired greatly. I lived with my mother at the time and I was VERY blessed to have a mother who was also an artist and completely supported me - which was included but not limited to, borrowing record of lodoss war dvds from her co-workers, photocopying how-to-draw anime books ( all in japanese at the time, they wernt released in english yet), and always giving me helpful crit with every pic I drew. Art was a GOOD thing and there was always support for me to be creative.

This is usually the case when you’re younger. At least when it comes to drawing cartoons - its cute, its fun , its childish - just like you! When you’re of a certain age you get lots of support for making silly stories, characters and pictures.

Then , like some of you, I hit an age where suddenly it wasn’t appropriate anymore. At this point I was living with my father and stepmother and suddenly im in a world where it was weird for me to create fantasy worlds and draw cartoons. I was 18, I was just done school, what am I going to do with my life? This is a rough patch for lots of people when you’re starting to gain your independence and you’re still living under your parents roof. Theres lots of clashing opinions as to what you should be doing. For me this usually resulted in the fact that I spent more time drawing then socializing which , to my parents , was not ‘normal’. One talk with my father he had tapped the paper on the table in-front of me and said ‘THIS , this is whats keeping you from growing up - all these cartoons’ . Owch.

I totally love my father and my stepmother ( ok maybe I was a bit miffed at them at the time) but they based (at the time) success in life as what they had done. It had worked for them so it would work for me - seeing deviations as this as possible failures. If you’re in a similar situation in life with parents that don’t really see with you eye to eye on if creative endeavors are best for your future you’ll hear a lot of this kind of rhetoric. You need to grow up, you cant make money on art, when will you get a real job - ect ect. Shit sucks, but don’t give into it. Most of the time this talk comes from people who don’t KNOW of the art industry but base things on very surface conversations or stigmas like ‘starving artist’ . Now, with that being said you still need to be SMART about the job you’re going into ..if an artistic career is what you’re seeking - look into what job demands are like, how many years of schooling people who made it have, what the industry is like . Ask questions, do research , find the best path for you - don’t blindly throw yourself out there in hopes that luck will get you by. There are some artistic careers that are VERY hard to get into , but know what ones they are! Its not impossible to get a career in art,animation,design,film, but be savvy about it. Growing up is not about the content you draw, or the style - its about taking responsibility for your life. So when someone tells you to stop drawing cartoons because they think its childish, take comfort in the fact that there’s a whole industry out there thats based on this ‘childish’ talent and its waiting for yah.

(via fredseibert)

GIF animation by Mel Roach (melaphantastic): Surprise! I’m joining forces with Frederator to make weekly animations that will explode your face off. Those guys rock! Have I mentioned we’re launching a new, adult, online cartoon channel on YouTube this spring, called Cartoon Hangover? In addition to our original, Channel Frederator? We’ve announced three series so far: Bravest Warriors, created by Pendleton Ward; SuperF*ckers, created by James Kochalka, and a Cartoon Hangover big idea short show (the fifth in our series). You can keep up to date by following the individual tumblrs over here. PS: Don’t you love Mel Roach’s GIF animation of the Fredbot?

March 14, 2012

GIF animation by Mel Roach (melaphantastic):

Surprise!
I’m joining forces with Frederator to make weekly animations that will explode your face off. Those guys rock!

Have I mentioned we’re launching a new, adult, online cartoon channel on YouTube this spring, called Cartoon Hangover? In addition to our original, Channel Frederator? We’ve announced three series so far: Bravest Warriors, created by Pendleton Ward; SuperF*ckers, created by James Kochalka, and a Cartoon Hangover big idea short show (the fifth in our series).
You can keep up to date by following the individual tumblrs over here.
PS: Don’t you love Mel Roach’s GIF animation of the Fredbot?

GIF animation by Mel Roach (melaphantastic):

Surprise!

I’m joining forces with Frederator to make weekly animations that will explode your face off. Those guys rock!

Have I mentioned we’re launching a new, adult, online cartoon channel on YouTube this spring, called Cartoon Hangover? In addition to our original, Channel Frederator? We’ve announced three series so far: Bravest Warriors, created by Pendleton Ward; SuperF*ckers, created by James Kochalka, and a Cartoon Hangover big idea short show (the fifth in our series).

You can keep up to date by following the individual tumblrs over here.

PS: Don’t you love Mel Roach’s GIF animation of the Fredbot?

(via cartoonhangover)